Download e-book for iPad: A título de inventario by Mario Benedetti

By Mario Benedetti

ISBN-10: 8490629692

ISBN-13: 9788490629697

Edición en un solo volumen que reúne todos los poemas de Mario Benedetti publicados entre 1950 y 2001, testimonios de l. a. propia existencia del autor, engendrados con los angeles sencillez y claridad que tanto le caracterizan.

Amar, luchar, trabajar, morir, todo es motivo de poesía para Mario Benedetti. Cada pequeña situación del vivir cotidiano merece una canción, una celebración a l. a. constante sorpresa de existir. Para él, l. a. poesía no tiene sentido si no se comparte, si no se reproduce, si no fecunda.

Como es ordinary en las recopilaciones de l. a. poesía de Benedetti, cada volumen se abre con l. a. producción más reciente y concluye con los angeles más antigua, quizá con los angeles secreta esperanza de que el lector, al tener acceso a su obra por los angeles puerta más nueva y más cercana, se vea luego tentado a ir abriendo otras puertas, «a beneficio de inventario».

Inventario 1 integra todos los poemas publicados en libro entre 1950 y 1985:Sólo mientras tanto (1950), Poemas de l. a. oficina (1956), Poemas del hoyporhoy (1961), Noción de patria (1963), Próximo prójimo (1965), Contra los puentes levadizos (1966), A ras de sueño (1967), Quemar las naves (1969), Letras de emergencia (1973), Poemas de otros (1974), La casa y el ladrillo (1977), Cotidianas (1979), Viento del exilio (1981) y Geografías (1984).

Inventario 2 reúne todos los poemas publicados en libro entre 1986 y 1991: Preguntas al azar (1986), Yesterday y mañana (1988), Despistes y franquezas (1990) y Las soledades de Babel (1991).

Inventario 3 contiene todos los poemas publicados en libro entre 1995 y 2001: El olvido está lleno de memoria (1995), La vida ese paréntesis (1998), Rincón de Haikus (1999) y El mundo que respiro (2001).

Miguel García-Posada dijosobre Benedetti...
«Tenía Benedetti el instinto de los angeles palabra creadora, los angeles capacidad de pellizcar el alma que solo poseen los poetas mayores.»

«Benedetti period, aunque algunos se escandalicen, un machadiano del verso, que sabía que los angeles poesía se produce en el tiempo o está abocada a los angeles nada.»

«Benedetti, hay que afirmarlo de entrada, y sus versos tenían, tienen, los angeles garra de los genuinos poetas populares.»

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Actually, intense. But it is I not that can't say that the realism is too awfully.. well. real" "That does take some getting used "It's several times but nothing the steps from the throne, arms folded, it's more real than himself than to Sadie and Nick, to," Sadie commiserated. real," the "it's that emperor it's said, more as real as real. to It's it's—" "Completely transparent reality," said Sadie. ''On the money r said the emperor, clapping his hands, and then looking at felt it them and heard carefully.

It was a line at all, I'll be glad to answer he came out with every time to break the ice, but he was rarely questioned these days. He stepped forward and touched his bracelet to the dead man's temple, where his implant raised a veined, weather-worn rectangle beneath the skin. The nanomeks would now begin the next the process, the preparation of the body for 'Til fetch the container," and nodded its onward he said—he never called stage of journey. it a coffin— to the constable. Together they carried the polycarbon container from the back of the Range Rover, easing it around the bends in the FERRYMAN stairs.

Said, raising warer THE one completely transparent reality- EMPEROR'S NEW REALITY 37 "Oh," said the her. woman and nodded "Of course. That makes "You bet it real. Not un- real. " does," said the emperor, parading up the front row again. "This more all to the people and down before as real as real. is Not surreal. '' "Uh'oh," said the front row. The words swept back through the entire audience, fanning out to aisles, lot, where people were standing in the out the doors to the lobby, out of the lobby into the parking into radio TV and transmissions, into online services and out over the Internet both in the encrypted and unprotected forms.

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A título de inventario by Mario Benedetti

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