Get Aeschylus: The Oresteia (Landmarks of World Literature PDF

By Simon Goldhill

ISBN-10: 0511166079

ISBN-13: 9780511166075

ISBN-10: 0521539811

ISBN-13: 9780521539814

ISBN-10: 0521832292

ISBN-13: 9780521832298

Simon Goldhill specializes in the play's themes--justice, sexual politics, violence, and the position of guy in historic Greek culture--in this basic advent to Aeschylus' Oresteia, probably the most very important and influential of all Greek dramas. After exploring how Aeschylus constructs a fable for town within which he lived, a last bankruptcy considers the effect of the Oresteia on extra modern theater. The volume's geared up constitution and advisor to additional studying will make it a useful reference for college students and lecturers. First variation Hb (1992): 0-521-40293-X First version Pb (1992): 0-521-40853-9

Show description

Read Online or Download Aeschylus: The Oresteia (Landmarks of World Literature (New)) PDF

Similar ancient & medieval literature books

Read e-book online Greek and Latin Authors on Jews and Judaism, volume 2: From PDF

A complete corpus of texts on the subject of Jews and Judaism through the Greek and Latin authors of Antiquity. the gathering furnishes helpful resource fabric at the position of Jews and Judaism within the Mediterranean global in the course of the upward thrust and unfold of Hellenism, concluding with options of Judaism held via the Neoplatonist philosophers.

New PDF release: From Hittite to Homer: The Anatolian Background of Ancient

This booklet offers a groundbreaking reassessment of the prehistory of Homeric epic. It argues that during the Early Iron Age bilingual poets transmitted to the Greeks a collection of narrative traditions heavily on the topic of the single came across at Bronze-Age Hattusa, the Hittite capital. Key drivers for close to jap impression at the constructing Homeric culture have been the shared practices of supralocal gala's and venerating divinized ancestors, and a shared curiosity in developing narratives a couple of mythical prior utilizing a couple of particular storylines: theogonies, genealogies connecting neighborhood polities, long-distance trip, destruction of a well-known urban since it refuses to free up captives, and attempting to conquer loss of life while faced with the lack of a pricey better half.

Download e-book for kindle: The Irish classical self : poets and poor scholars in the by Laurie O'Higgins

The Irish Classical Self' considers the function of classical languages and studying within the development of Irish cultural identities within the eighteenth and 19th centuries, focusing specifically at the "lower ranks" of society. This eighteenth century thought of the "classical self" grew in part out of influential id narratives built within the 17th century by means of clerics at the ecu continent: responding to influential evaluations of the Irish as ignorant barbarians, they released works demonstrating the price and antiquity of indigenous tradition and made conventional annalistic claims in regards to the antiquity of Irish and connections among eire and the biblical and classical international generally recognized.

Additional resources for Aeschylus: The Oresteia (Landmarks of World Literature (New))

Sample text

32 THE ORESTEIA The triple repetition of dik¯e and dikaios (the adjective from dik¯e) in three consecutive lines is strongly marked. In the first instance, dik¯e seems to imply a general standard of correct behaviour for the king with regard to the gods (‘It is right . ’). In the second case, it seems to imply the retribution of blood for blood (‘vengeance . ’). But in the third case, dik¯e (in the plural) implies ‘cases’, ‘pleas’ (‘heard justice . ’), as, indeed, the voting of the gods in urns suggests a legal procedure that looks forward to the Eumenides.

A charter for the city . . Let me sketch in slightly more detail this interpretation, following H. D. F. Kitto’s eloquent version. In the Agamemnon, ‘there is a law of Dik¯e – not “justice” but “requital” – that wrongs done must have their revenge, “the doer must pay”’. ‘Agamemnon has taken it for granted that a war for a wanton woman is a proper thing: it is his conception of Dik¯e. ’ Thus the tragic double bind of Agamemnon is seen as a flaw in the idea of dik¯e: ‘The obvious implication is that we have a conception of Dik¯e that cannot work even though it is the present will of Zeus.

250–1); the destruction of Troy is from ‘Zeus who brings dik¯e’ (Aga. 525–6); Agamemnon sees himself as the agent of dik¯e in the destruction of Troy (Aga. 813); Clytemnestra sees herself as the agent of dik¯e in the destruction of Agamemnon (Aga. 1432); the chorus warns that ‘Dik¯e is being sharpened to new deeds of harm on new whetstones of fate’ (Aga. 1535–6). So, in the Choephoroi, Orestes arrives as an agent of dik¯e (Cho. 641–5); and the chorus sings that (Cho. 931) ‘Dik¯e came to the sons of Priam in time .

Download PDF sample

Aeschylus: The Oresteia (Landmarks of World Literature (New)) by Simon Goldhill

by Donald

Rated 4.35 of 5 – based on 20 votes