By Andy Hamilton
The ebook appears to be like at:
The adventure of listening
Rhythm and musical stream
What modernism has intended for musical aesthetics
The relation of tune to different 'sound arts'
Improvisation and composition in addition to extra conventional concerns in musical aesthetics equivalent to absolute as opposed to programme tune and the query of musical formalism.
Thinkers mentioned variety from Pythagoras and Plato to Kant, Nietzsche and Adorno. parts of tune coated comprise classical, renowned and standard song, and jazz. Aesthetics and Music makes an eloquent case for a humanistic, democratic and really aesthetic notion of tune and musical figuring out. an individual drawn to what modern philosophy has to assert approximately track as an artwork shape will locate this thought-provoking and hugely relaxing e-book required studying.
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Additional resources for Aesthetics and Music
His status is more problematic than that of other pre-Socratic thinkers - the philosophers before Socrates. Although their work often does not survive as primary sources, there is direct quotation to it in the work of later writers. Pythagoras, in contrast, appears to have written nothing, and all we have are early and vague reports about his followers, and late and presumably forged works ascribed to them; there are no statements by Pythagoras which later authorities agree in attributing. Aristotle refers to 'so-called Pythagoreans', and only after Plato is he represented as the head of a philosophical school - so it is likely that Plato and his followers are the source of many so-called Pythagorean ideas.
Hoppin, Medieval Music, published by Norton. 12 folio 61 verso). 33 AESTHETICS AND MUSIC systems, Pythagorean purity of numbers was paramount, or the judgement of the human ear. Thus Johannes de Grocheo argued around 1300 that the practical art of music was the application of mathematical theory to singing, rather than a branch of mathematics, while Tinctoris in the late fifteenth century regarded music as a practical human activity rather than a hermetic science or model of the cosmos. Zarlino in 1558 declared that the ear is judge.
8. Mueller (1997). We will return later to Pythagoras' concept of the acousmatic. In fact, he sees himself as offering a middle way between the extreme rationalism of Parmenides and the extreme empiricism of Heraclitus. See Hussey (1997). As Waterfield comments, in Plato (1993), p. 530b. Plato (1993), 530d, 531c; see Burkert (1972), p. 371. Cicero (1998), Book 6, Chapter 5. Plato (1993), 398e^00c; 424b-c. Plato (1970), ii, 664a. Lippman (1977), p. 76. Aristotle (1998), 985b32-986a2, 1090a20-23, 1093a28-b4; also Aristotle (1939), 290b21-3.
Aesthetics and Music by Andy Hamilton